Showing posts with label voiceover reading. Show all posts
Showing posts with label voiceover reading. Show all posts

Wednesday, September 9, 2015

- Advanced Cold Reading Techniques

Just how do people read long projects with so few flubs? How can they say the words and have it all make sooo much sense when they are cold reading? Are they just more talented? Are you either born with it or you’re not?
They have an ability to process copy visually as if it was their own ideas and relate it verbally as though they were giving a talk that they had memorized. It can be very inspiring to hear some one read like this and a little maddening as well.
The good news is it’s a skill you can learn, too. Of course some people have a more natural gift for cold reading, but as you learn and practice these techniques you will become much better at it. 
Often actors will say to me that they read really well, they just need time to go over the script. Well that works if you HAVE time to go over the script and if it’s not a really long project like an audio book or other long narrative. On a large project you never really remember what's coming up even if you’ve read it 20 times.
And… If you don’t have time, which happens often, you need to be able to cold read. Let's review the basic cold reading technique and build on that.
Let's say you have a 50 page project to read for a voiceover project. And there hasn’t been much time to study it. You read the entire first sentence before you start the read. Then you start speaking. On the end of the first sentence, as you take a catch breath, you dart your eyes to the right as you start inhaling to scan what you are about to say so you have the next idea in your head, not just the next word. 
You then keep your eyes 2 or three words ahead of where you are speaking. You never want to being saying the word with your mouth that you’re reading with your eyes. That always turns out poorly because you won’t know what the idea is.
On the end of every sentence there is a half second catch breath and you repeat the process of darting your eyes to the right to read ahead while you’re inhaling.
After every third or fourth sentence there is naturally a one to two second break because that is how everyone groups their ideas. You use that break to read way ahead.
All right, that’s the review of the basic technique. Now let's mix it up.
You are going to get a piece of copy and print it out in 14 point copy. And you're going to put one sentence each line. You then cover the first sentence with paper and reveal it just for a second and cover the sentence back up. Now try and say the whole sentence without looking. This will help you store ideas in your head a sentence at a time. It will train you to read a sentence as an idea instead of reading individual words. Do this through the entire page.
Practice this several times with the same page. Yes, you will start to remember what the content is, and that is exactly what helps build up your short term memory. But the other thing that happens is it teaches you to recognize a whole sentence as an idea instead of the usual reaction of reading individual words and then assembling the idea as you say the words. 
This technique of scanning a sentence and forming the idea will lead to great cold reading skills.
Now start at the top of the same page and don’t cover any of the sentences. Glance at the sentence and start talking... then keep your eyes two to three words ahead of the words you are saying. These are your training wheels to build up your ability to read ahead.
Now combine this technique with taking deeper catch breaths so you have more time to scan ahead. It is very easy to edit out dead space and it takes far less time than editing out flubs. When you practice, take a few seconds to scan a section before reading through a paragraph in this fashion. You can do amazing reads if you will practice this really slowly like you would a golf swing and take the time to make this your natural response.
As you get better at managing sections of copy, you will find that you can shorten the length of your catch breaths and still get the idea of each sentence into your head.
Remember when you are speaking your own ideas, this works very naturally. Huge blocks of ideas and information are organized and delivered without difficulty.
The training of your eyes is very important for you to be able to scan sentences and indeed paragraphs and start recognizing the ideas in groups so that you start speaking the text of the project as if they were your own thoughts. This is the gateway and the technique that will enable you to start reading copy as if you were speaking your own ideas.
The implications of this advanced cold reading technique go far beyond being able to read with fewer flubs... it has a profound effect on ones ability to personalize reads… to sound authentic and believable at an entirely new level. The sense of spontaneity will be much improved and people will comment on how natural and believable the read sounds.
It is important to emphasize that everyone has different learning styles and preferences about how they acquire new skills. These techniques I’m illustrating are really just a point of departure. You should always experiment with different versions that you invent that adapt these techniques to your own style of learning. 
This is an indispensable part of learning. No technique in and of itself works perfectly with every individual. Once you have practiced these techniques, start playing with the order and methods and try and find ways to personalize how these techniques work for you.
For example, have you ever gone to a golf lesson and played worse???? Well, I have, until I remembered to not try and perform a bunch of rules... but to let the instruction come with me without forcing it. We have to absorb new techniques, not be imprisoned by them. When ever we get too clinical about developing new techniques we run the risk of loosing the freedom required to benefit from improved technique. 
So, after you’ve practiced these techniques, then try them with almost reckless abandon… many times this helps a person manage a task with the intuitive, subconscious part of the brain which is always free and courageous and more efficient than the self conscious part of our minds that is often tentative because it is afraid of doing things wrong.
And finally don’t worry if you feel like you’ve never been able to read very well. These things are just learned skills. Some people develop these skills in school at a young age… and some, of course, learn later in life. 
The important thing is to just practice these techniques until it all becomes natural to you. This very important skill requires sustained effort to make it a natural skill and you’ll find that it is well worth the time it takes to develop it.

Monday, December 15, 2014

- Success = Record and Play Back, Record and Play Back - A lot:)

One of the most important things you can do to improve your ability to read copy and create variations, is to be a maniac about recording yourself and listening to those takes. Try and listen to your takes as a director would. Is it authentic? ... or does it smack of "Hard Sell"?  Does your delivery have "The Most Reasonable Conclusion Sound"? There are many, many ways to do successful voiceovers. You will discover what's best for your voice and personality by recording and playing back your voice endlessly. The built up familiarity will bring you revelations about how to create more effective deliveries.

Wednesday, November 19, 2014

- Why It's Important To Practice Cold Reading

I get a lot of questions about why anyone should practice cold reading. Here are some thoughts on the matter. It's easy to get used to the idea that most voiceovers are short and you always have the copy in advance. The problems start when you're doing  longer narratives for corporations. The copy is often 20 to 80 pages or more. Another area is audio books. Even if you read these longer pieces 20 times, you still have no idea what's coming up next. It's important to develop a sense of timing so you can do clean good reads page after page. Your eyes should always be 2 to 3 words ahead of where you're speaking so you're delivering ideas and not just saying words. Time is money whether you are in some one else's studio or your own.

Monday, November 3, 2014

- Cold Weather Cures for a Scratchy or Weak Voice:)

The cold weather is coming and/or is here. I get a lot of questions about voices feeling itchy or scratchy, so here are some home remedy gentle things you can do to help your voice feel better.
First of all, remember, if you're sick, GO TO YOUR DOCTOR! These are just minor things you can do so you can still do your voiceovers or sing with greater comfort.
If your voice feels a bit weak, get a steamer and inhale the steam twice a day for just 60 seconds. Breath it in through your mouth and nose. Doing so will help clear the mucous and strengthen your voice  temporarily. The steam helps improve the circulation in the throat and that can be beneficial. Steaming in the shower with Eucalyptus oil can really open things up. Hot herbal teas like the ones made by YOGI TEAS are great. Breathe Easy and Breath Deep are wonderful.

Monday, October 6, 2014

- Very Real Sounding Is Often Very Dull. It Still Has to be Compelling.

People will rightfully tell you that you have to sound more real, more like the person next door. Well of course that makes sense. The person directing the project wants the voiceover artist to sound sincere and honest and authentic. But there is a funny flip side to all of this. I hear a complaint from many pros that I coach, that people will say to them... “No its gotta sound more real!” and then they tell me about their frustration that when they try and sound more real, they then often get criticized for sounding lackadaisical or uninspired, or unenthusiastic about the topic.
So what the heck is going on? On the one hand a director says be more real, more conversational, on the other hand they then seem to be complaining about the tone of voice when the person follows the directions that are given.
The answer is this: Often when a person backs off to become more conversational or more real, the energy drops so much that the pace is a little too slow... the cadence looses its bounce... and the melody a little too flat...
Because it’s a wholesale drop in energy it really just does sound unenthusiastic. So it seems like the read has lost all of its life.
When a person tries to be more conversational, not hard sell or not announcery, the effort should focus on smoothing out the delivery and tumbling the speech more so it feels a bit more like a stream of ideas. 
This makes the energy in the vowels and consonants more even and that is exactly what makes us sound MORE REAL AND CONVERSATIONAL.
When we try and become more conversational we are often just backing off on the energy we are using. This usually flattens the amount of rise and fall in our voices, which is what happens when we aren’t passionate about something. 
So the proper approach is to talk at low levels but to maintain a slight urgency. There is a greater rise and fall in the melodies we use when we are excited about a product or story. This will usually restore the rise and fall of the voice.

Sunday, September 14, 2014

- KrappTV our New Show Starring Our Goats Reviewing Bad TV

Ok, so we have complained enough about all the Krapp on television, and now we are going to do a YouTube channel with guest VO artists reviewing shows or movies that our "Goats Don't Like"
Just clips and some fun. Here's our opener. Song by Geo Marshall.
krapptv.mov - YouTube

Thursday, September 4, 2014

- Say Unvoiced Consonants With Mouth Air

We corrected some articulation problems in class last night. When F sounds and S sounds are too violent...you know, when it sounds a bit like Sylvester the cat...It's because there is too much "sub glottal  pressure".  Don't use the same breath support that you use for vowels and voiced consonants. That much support from the lungs makes the unvoiced consonants violent. If you say those unvoiced consonants just with "mouth air" they will be just right. An F or an S is like a drop of water on the stove:)

Friday, August 29, 2014

- Here's The Follow up Exercise To Using Beat Changes

A beat change is the change in tone of voice to set up new ideas.
Find a piece of copy you like that's not too long. It can be a commercial or short descriptive narrative.
It should have at least four Beat Changes/Change in directions in the copy...places. that require beat changes:) Record yourself and vary the cadence to set up clear Beat Changes.  Try and create 20 versions that are more related than not. Yes 20 versions. This creative exercise will help develop control over the voice and tone of voice as well as improve creativity.

Wednesday, July 2, 2014

- A Great Way to Practice and Develop Voiceover Skills

One of the best ways to develop your ability to read copy is to pick any piece thats at least 5 or 6 pages long and cold read it. Take the time you need to read it perfectly. Remember to scan ahead with your eyes as you take a breath for the next sentence. Your eyes should always be 2 or 3 words ahead of where your mouth is speaking so you can deliver ideas and not just the words.
There is something amazing that happens to everyones talent when they spend a lot of time reading out loud, they get a lot better.
Happy  4th everyone!

Friday, June 20, 2014

- Voiceover Skills Improve our Communication Skills in Any Language

Our ability to persuade people and communicate clearly is very important for all of us personally and professionally. Our success in life depends on our ability to communicate well with others.
We have entered a great new age where communication is dependent upon our ability to connect, and our ability to connect depends on what we decide to say and our manner of delivery. This is the result of the intensity of the information age. We cannot rely solely on the fact that we have the authority or the answer. We must have the ability to organize and personalize thoughts in order to be heard and understood. This has become of paramount importance in, corporations, hospitals, organizations and all of the service industries. How we communicate with our voices and how we organize ideas has never been as important as it is today. Our voice is the engine that carries our thoughts to people. Our voice and presentation is the point of first contact.

Friday, April 25, 2014

- Going from good reads to Great Reads

Reading a sentence and getting it worked out so it sounds idea driven is fairly straight forward work.
VoiceOver artists from pros to beginners learn to do this pretty well. The real work begins after a person can do this.
Multiple takes in a studio are done to find different shades of meaning and nuance. They are not done to figure out the meaning of the copy, all of that should be done before the session.
Time is money in a studio or anywhere else for that matter.
It's relatively easy to do a good read, it's much harder to learn to do great reads. Repetition is the main ingredient. Once it's a good read, repetition will reveal nuances and other possibilities that make the read naturally persuasive. Many times a client isn't sure what they want, so it's up to us VO artists to keep giving them variations until they jump up and say "That's great, do it like that again".
Our ability to hear nuance and variations will develop as we learn to rehearse over and over. Record and play back, record and play back. Greater awareness and artistic control are a direct result of how much flying time we log.

Thursday, April 17, 2014

- Vocal change ups and deceptive cadences will help get you work

I hear a lot of reads that are very well spoken that really don't sound convincing. They don't really sound conversational at all. They are articulate but not "idea driven". I've heard casting agents on large project auditions describe it like this. "Nice voice, but doesn't mean it"
Advertisers tend to pick voiceover artists who can meet all the stylistic demands of the copy and still sound like they're just talking to one of their best friends. This ability to "personalize" copy isn't magic, it has certain musical characteristics.
When we are talking to people in our "Day Voice" we naturally use a lot of vocal change ups, "beat Changes" and deceptive cadences. It's part of the harmonic geography of how we communicate in daily life. When we read copy these characteristics are often left out, making the copy sound merely like a person just reading copy. It's important to study and retain these variations in our best natural speech and not loose that spontaneous expression when we are doing voiceover work.

- Work for Umano to start recording the news, adding to their audio content library

Here's an interesting start up company who will pay a little to have you read news articles.
Check out their site.

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Friday, March 28, 2014

- Practicing Cold Reading

Commercials are always pretty short, 60 seconds or less. Audio books, or corporate narratives are many pages long. Even if you read a hundred page narrative or a book many times you still don't really know whats coming up next.
Practice having your eyes two to three words ahead of where you're speaking. You should not be saying the word you're reading with your eyes at the same time. Read ahead.
When you get to the end of a sentence and take your catch breath, make sure you always dart your eyes to the right to read ahead, this will reduce the number of flubs.

Thursday, March 6, 2014

- The Very First Read in a Session...

It's important that VO artists practice at home so you can start with a good read and not use studio time with people standing around to get "warmed up". Remember to practice your reads thoroughly before getting there and warm up your voice on the way to the recording studio. I've recently seen people in a studio wondering what was up with the VO artist who just didn't seem "ready to go" when the person showed up. Be respectful of peoples time by being completely prepared when you show up. it's the best way to be invited back

Thursday, February 27, 2014

- Personalizing Voiceover Copy

There are many people who can read copy well. The most important skill however is to be able to personalize copy. Making the copy sound like it's a collection your own ideas that you are relating to a friend is key to getting cast. This requires an ability to make subtle change-ups in tone of voice and cadence that sound like your "Day Voice" and not like an announcer reading copy. The ability to persuade comes from staying in the tonal  bandwidth of natural conversation between friends.

Thursday, January 23, 2014

- Optimizing Your Speech So it's Clear and Natural

We worked in class last night on how to make our reads sound natural, fluid, and persuasive. One of the main technical issues to be aware of in vocal production is the energy distribution.
Simply put, the energy in vowels and consonants is exactly the same in natural daily speech. Your "Day Voice" equally distributes the effort between consents and vowels. There is often a tendency when in front of a mic to over articulate the consonants. this results in a kind of violent diction that makes the copy sound read instead of idea driven and natural. Remember to speak to the end of the phrase and breath.

Monday, January 13, 2014

VoiceOver is a Very Competitive Business…So What?

People are always talking about how hard it is to get into the voiceover business. Yes, it's incredibly competitive. Yes it's not easy to get an agent. It pays a lot of money, so of course people want to do it.
Anything that is fun and pays well is going to be  popular. This has nothing at all to do with whether you should try and do it for a living. Otherwise what your saying to yourself is.." I want to find something that pays really well that few people are doing" You face the same task in any professional field. Becoming a lawyer, Dentist, Teacher, Doctor, Electrician, all of it is difficult and thats as it should be. If you want to do it, then do it and don't let anyone stop you. The good, that bad are all working so why not you? Don't take my word for it. Turn on the TV and radio and take notes on who you think is good and which ads you think you could do better

Saturday, January 11, 2014

A Few Ways To Get Voiceover Jobs

...Of course this is the most asked question . Rather than just hoping you can get an agent, Think outside the box to get those first jobs;
Check with friends who have businesses that might need a new on hold message. Do a search for new authors and contact them to see if they would like an audio book version of their work. Search for start up animation companies that need cartoon voices to get their projects started. In these cases you can offer a solution to their casting problems and get maybe get yourself some work.